Two dancers, a composer and a vocal artist perform a gripping new interpretation of Antonin Artuad's legendary radio play, "To have done with the judgment of god." Originally commissioned by Radio France in 1947 but then banned for its strong content the piece was the last work written and recorded by Artaud shortly before his death. The original work is an electrifying combination of political, and still relevant, denouncements, surreal ritualistic evocations of Artaud's life among the Tarahumaras Indians of Mexico, and a powerful meditation on the idea of creativity and madness. Artaud’s recording crackles with the rage of a man alienated from society, but his voice was to influence the whole future of theatre and artistry.

Taking as a point of departure the original script of the play, Base Theatre harnesses the inspiration of four talented artists from different disciplines – music, sound installation, contemporary dance, and theatre – and brings them together in this uniquely absorbing experience. Their performance is a fascinating exploration of particular aspects of Artaud's ideas about movement and sound. An active development of the human voice connected to physical movement is counter-pointed by the use of radios acting as mobile sound sources from which the voice of Artaud himself echoes across.