Publications - Felipe Otondo

Journal articles
"Contemporary trends in the use of space in electroacoustic music", F. Otondo. Organised Sound, 13(1), 77-81 (2008). (read)
“Creating Sonic Spaces: an interview with Natasha Barrett, ” F. Otondo. Computer Music Journal, 31(2), pp. 10-19, Summer (2007). (read)
“A New Method for the Radiation Representation of Musical Instruments in Auralizations, ” F. Otondo and J. H Rindel. Acta Acustica united with Acustica Journal, vol. 91, pp. 902-906 (2005). (read)
“Three Strategies for a Diagonal Sound Installation,” F. Otondo and J. Soto. Journal of Music and Meaning, 2, 6, Fall (2004). (read)
“The Influence of the Directivity of Musical Instruments in a Room”, F. Otondo and J. H. Rindel, Acta Acustica united with Acustica Journal, 6, vol.90, pp.1178-1184 (2004). (read)
"Using the Convolution to Blend Brass Timbres,” F. Otondo. Journal of Music and Meaning, 1, 4, Fall (2003). (read)
Conference articles
"Recent SpatialisationTrends in Electroacoustic Music," F. Otondo. Proceedings of the Electroacoustic Music Studies Conference, Leicester (2007). (read)
"Shaping sounds in York Minster," F. Otondo. Proceedings of the Doctoral DRMN Conference, London (2006). (read)
"Some considerations for spatial design and concert projection with surround 5.1," F. Otondo. Proceedings of the Digital Music Research Network Conference, Glasgow (2005). (read)
"The combination of visual and sonic generative processes in a digital landscape”, F. Otondo and T. Petersen. Proceedings of the 2005 International Computer Music Conference, Barcelonal, pp. 299-302 (2005). (read)
”The interaction between room and musical instruments studied by multi-channel auralization”, J. H. Rindel and F. Otondo. Proceedings Forum Acusticum, Budapest, CD-ROM (2005) .(read)
“Sobre la realización de Zapping Zappa,” F. Otondo.  Webpage of the Chilean Electroacoustic Music Association (2004) (in Spanish). (read)
“Sobre la realización de TRAMA,” F. Otondo.  Webpage of the Chilean Electroacoustic Music Association (2004) (in Spanish). (read)
“Sound Source Representation for Auralization,” J. H. Rindel, F. Otondo and C. L. Christensen. International Symposium on Room Acoustics: Design and Science, Hyogo, Japan, CD-ROM (2004). (read)
“Comparison of Directional Sources in Simulating a Soprano Voice,” L. Parati and F. Otondo.  Proceedings of the Stockholm Music Acoustic Conference, Stockholm, Sweden, pp. 487-490 (2003). (read)
“Perceived Influence of Changes in Musical Instrument Directivity Representation,” F. Otondo and B. Kirkwood. Proceedings of the Stockholm Music Acoustic Conference, Stockholm, Sweden , pp. 655-658 (2003).
“Directivity of Musical Instruments in a Real Performance Situation,” F. Otondo, J. H. Rindel, R. Caussé, O. Misdariis and P. de la Cuadra. Proceedings of the International Symposium on Musical Acoustics (ISMA), Mexico City, Mexico, pp. 312-318, CD-ROM (2002). (read)
“Directional Representation of a Clarinet in a Room,” F. Otondo and J.H. Rindel. Proceedings of the Nordic-Baltic Acoustical Meeting , Kgs. Lyngby, Denmark, pp. 113-116 (2002). (read)
“New Method for the Directional Representation of Musical Instruments in Auralizations,” Felipe Otondo and Jens H. Rindel. International Computer Music Conference, Göteborg, Sweden, pp. 248-251 (2002). (read)
“Directional Patterns and Recordings of Musical Instruments in Auralizations,” F. Otondo, J. H. Rindel and C. L. Christensen. Proceedings of MOSART workshop on Current Research Directions in Computer Music, Barcelona Spain, pp. 230-232 (2001). (read)
“Diseño de módulos de absorción para baja frequencia mediante la teoría de resonadores acoplados,” Felipe Otondo. Second Chilean symposium on Acoustics and sound at Universidad Vicente Perez Rosales, Santiago, Chile (1998).
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